Rushes are curated clip packs containing almost raw, authentic 4K footage. With over 300 packs available, this is the most cost-effective way to license my work. Each pack is meticulously prepared, colour-graded, and white-balanced across the clips—exactly as I would deliver to a high-end broadcast client on a commissioned shoot. Packs feature multiple angles, varying clip lengths, epic moments, and specialised tracking vehicle or drone shots. Files are delivered instantly via a Google Drive folder containing all individual high-resolution assets. (Note: Audio on previews is for display purposes only).

The wider stock industry is a minefield, with single clips ranging anywhere from £15 to over £1,000 depending on hidden fees. By licensing my Rushes packs, you bypass the middleman. The average clip price across a pack is currently just £21.36. Some clips work out as low as £10. It is a premium product at a genuine bargain.

At chrishomer.uk, this distinction does not exist. The traditional stock industry uses extended licenses to extract more money for things like TV broadcast or high view counts. I offer an industry-leading, single global license. You do not pay extra for 4K, and you do not pay extra for television or film usage.

Absolutely not. With big corporate agencies, using a clip in a broadcast documentary can result in aggressive retrospective billing—sometimes thousands of dollars months after airing. I work in broadcast TV as a standard practice, and my stock footage is cleared for television and streaming right out of the box. License it, use it on TV, and I will never come back asking for more money.

Yes. Whether your video gets ten views or 100 million views on Instagram or YouTube, there are no extra fees. Some major platforms charge more based on audience size. I do not.

Your license is granted in perpetuity. It never expires. License it once and forget about it.

"Rights-Managed" is largely a tactic used by corporate stock agencies to restrict usage and print money based on where and how often you show a clip. I bypass this completely. I also offer options for future exclusivity at 5x the rate, and full buyouts of specific packs or the entire archive if you need total ownership.

No. All footage comes with a full global license included at no extra cost.

No. The professional broadcast industry does not expect on-screen credits for stock footage, and neither do I. It is actively discouraged. Your production is your own.

You are licensing directly from the specialist cameraman who shot the footage. Every single clip is self-shot by me using high-end cinema cameras, gimbals, sliders, and tracking vehicles. There are no middle-men and no random contributors from around the world. The copyright is completely clean.

Yes, you can transfer the rights to a single end-client. Simply let me know what you are producing, and I will sort that out for you at no extra cost.

Yes, the footage is yours to edit, grade, crop, and manipulate as needed for your production.

Subscriptions tie you into rigid contracts and typically offer the dregs of overused stock video. If you want cheap volume that has been flogged to death by thousands of low-budget channels, a subscription might work. If you want unique, unscripted optical reality, buying direct is the better choice. For those needing vast access, I do offer an "ULTIMATE" tier that sits head and shoulders above corporate subscription models.

Yes, and there is also free food available in the woods—but you probably wouldn't present it to a premium client. Free sites are fine for personal practice, but they carry massive legal risks and lack the optical reality required for professional broadcast. (And no, you cannot legally download and use random videos found on YouTube).

Check my YouTube previews. There is usually a 4K option available. While YouTube applies its own compression, it serves as a highly accurate indicator of the composition, grading, and authentic quality of the shots. If you have specific questions about a pack's specs, just contact me.